Hot off the heels of his mammoth revisit of Joe Smooth’s timeless house track ‘Promised Land’, Chicago-born trailblazer Lee Foss returns to his renowned Repopulate Mars label with a super-group collaboration with Detlef and TheConnect.
On ‘Pony‘, Lee Foss unites with Repopulate Mars core artist Detlef and LA-based talent TheConnect to deliver six minutes of hip-swinging dancefloor pandemonium. All about the bassline, ‘Pony‘ bubbles with energy as trippy synth details and raunchy vocals from Spektrum cast an almighty spell over the kinetic beats to make for a classic anthem destined for heavy rotation throughout 2025.
Heading up one of the most popular modern house labels of now, Lee Foss‘ influence can be heard across clubs, charts, and radiowaves worldwide.
Lee Foss, Detlef and TheConnect -Pony
Founded in 2016, his Repopulate Mars imprint and its subsequent offshoots have unearthed and provided a home for some of modern house music’s biggest stars, from Mau P to John Summit.
Following another wildly successful year of powerhouse collaborations, Lee Foss sets the stage for an even bigger 2025 with his first release of the year, ‘Pony‘.
Dekmantel proudly presents the lineup for its 11th Amsterdam festival, taking place from Wednesday, July 30 through Sunday, August 3.
Over 10 editions, Dekmantel Festival has become synonymous with electronic music’s most adventurous realms. While timeless sounds remain central, its multidisciplinary program fosters a cutting-edge vanguard, with immersive visual experiences and stage design. After last year’s ten-day celebration, 2025 marks a return to the original format—beginning a new cycle by extending Dekmantel‘s musical lineage into the future.
With over 150 acts representing the global electronic music expanse, Dekmantel Festival welcomes back originals like Jeff Mills, Four Tet, Avalon Emerson and Shanti Celeste. Enduring icons such as Richie Hawtin and Honey Dijon, who laid the groundwork for dance music today, will make their Amsterdamse Bos debut.
Meanwhile, sound visionary Floating Points is back for a very special collaboration, transforming the Greenhouse with his custom hi-fi ‘Sunflower Sound System,’ and co-curate the stage lineup, including a 10-hour B2B set with festival favorite Palms Trax.
In addition, two days ‘Aan het IJ‘, including an extensive conference program, will spotlight experimentalists and live acts such as Moritz von Oswald, Leftfield, Jlin, and Sega Bodega.
Dekmantel 2025 lineup
This year, it all begins with an opening concert at Amsterdam’s Oude Kerk by producer/composer Moritz von Oswald, who will premiere Silencio with a 16-voice choir. Fresh off last year’s grand closing, Jeff Mills returns to live-score the film Metropolis Metropolis at EYE Filmmuseum. In addition, Richie Hawtin brings an exclusive performance on Dutch soil, reviving his 1995-2005 compilation series with DEX EFX X0X.
Other not-to-miss live acts for 2025 include improvisational techno trio WSNWG (Rødhåd, Fadi Mohem, and JakoJako), Detroit ghettotech group HiTech, UK cult act Leftfield, Blawan performing a new album Japanese deep-house master Satoshi Tomiie, Danish avant-pop star Erika de Casier, and Ugandan ensemble Arsenal Mikebe performing alongside legendary Italian drummer Valentina Magaletti.
Thirty years since their last release, seminal Warp act The Sabres of Paradise return to the stage—performing in honour of their late founder, Andrew Weatherall. Representing Dekmantel‘s own label roster, house trailblazers Steffi & Virginia deliver a one-off live performance, showcasing their forthcoming LP on the imprint, while multidisciplinary artist Polygonia will present the live debut of her upcoming Dream Horizons album.
Of course, the sound of the Amsterdamse Bos is the sound of the world’s most exciting DJs—fuelling a total of seven festival floors. Making their Dekmantel debut this year are DJs such as Honey Dijon, Two Shell, Philippa Pacho, DJ K, and evilgiane.
Special B2B pairings for the ’25 edition include dBridge & Donato Dozzy, Bashkka & Roi Perez, Djrum & Objekt, who will unite for the first time. Dekmantel mainstay Young Marco will play alongside ’90s hero Sasha at the Amsterdamse Bos, and perform as Dead Sound—his psychedelic sound project with pop auteur John Moods—at Muziekgebouw.
Standout solo slots for 2025, which are sure to become festival highlights, go to CCL, Quelza, Ogazón, British Murder Boys, Call Super, mad miran, Coki & Joker, Freddy K, Kia, Oscar Mulero, upsammy, Verraco and Yaeji (DJ).
Shlømo, one of France’s most in-demand techno exports, and Zorza, the hyper techno faerie that is reinventing uptempo dance music, are teaming up for “I WANNA FEEL.” This new single is as dreamy as it is hard-hitting, making it a perfect addition to the ever-evolving HARD Recs catalog.
Both of these adept artists have proven themselves masters of the high-flying kick. Even at their preferred higher tempos, when the pulse has far less time to resonate, they always synthesize a slamming low-end drum that digs right into the soul.
On their debut collaboration, Shlømo and Zorza double down on this skill, creating a four-to-the-floor drive that not only supports the beautiful, swirling melodies but emphasizes them. It’s as if each element—from the thumping kick to the ghostly, pitched-up vocals to the electrified layers—is bound together by a unified spirit while each phrase is separated by intricate instrumental breaks constructed of pure sound design bliss.
Shlømo Zorza – I Wanna Feel
Shlømo shares his appreciation for working alongside the Canadian sensation to create the resulting new single, saying “I loved doing this collab track with Zorza, since she’s one of my favorite artists since I discovered her. This release is very interesting from both our perspectives in music!”
Shedding light on how the collaboration came to fruition, Zorza explains:
“Since we first met, Shaun [Shlømo] and I have always found common interest in our musical inspirations. The more we worked together, the more we realized just how similar our musical taste was, which led us to the idea of collaborating on a track. ‘I WANNA FEEL’ was made one afternoon in Shaun’s studio earlier this year.
We went into the session with no expectations, just the idea that we wanted to make something new and different, combining our styles and shared inspirations. We spent the first couple hours showing each other songs we love and from there, the track came together so naturally.”
This will be the first release of 2025 for both collaborators, who are coming off an equally exciting 2024. Zorza released her ‘Hyperdream’ EP, played Boiler Room at Teletech Festival, and spent September through January bouncing around Europe, South America, the UK, and North America on her ‘EVERYTHING YOU NEED’ TOUR.
On the other hand, Shlømo had a series of impressive collaborations with the likes of Sara Landry and Vortek’s, in addition to playing the debut Verknipt France, and donned the cover of Mixmag Germany’s special ‘ADE’ edition.
Now, they are joining forces to launch 2025 at the top of their game. As they allow the intoxicating highs of “I WANNA FEEL” to start coursing the underground’s veins, Shlømo and Zorza ensure this will be another huge year for the hard dance wunderkinder.
Shlømo and Zorza’s new single “I WANNA FEEL” is available on all platforms via HARD Recs.
London’s iconic Ministry of Sound continues to lead from the front with the arrival of URGE, a brand new and underground celebration of gritty, on-the-edge tech house. The party launches on Saturday 1st February with David Squillace, Cuartero, Rennie Peters, Jan, Sanne Dammers, Travis Casa, Metronomy’s Olugbenga and Batida Perfeita.
Designed for the hedonistic and music-obsessed late night dancer, URGE strips away the unnecessary and hones in on the essence of tech house, a genre born in the clubs of London back in the 90s.
Parties will feature raw, gritty beats from the underground and a minimalist, low-lit and hazy yet immersive production aesthetic which allows the music to take centre stage and for meaningful connections to be made between DJs and dancers.
Ministry of Sound URGE
The first event kicks off in style with tech house titan and Italian tastemaker Davide Squillace who heads up the This And That label. He is joined by fellow underground favourite and Spanish mainstay Cuartero who has long been at the sharp edge of the scene.
Also playing are Rennie Peters who is a key member of the INLV crew, DJ and Metronomy bassist Olugbenga, Dutch selector Sanne Dammers with a seductive take on tech house, plus EDD, Travis Casa and Batida Perfeita.
This pure celebration of tech house, house and techno excellence from across the ages will take place across all five rooms of Ministry of Sound. Recent refurbishments include a new lighting rig in The 103, and an all-year-round canopy in the courtyard while The Box, The Baby Box and The Loft all continue to lead from the front with their own unique atmospheres, immersive audio-visuals and punchy sound systems.
Here’s what Travis Derrick, Head of Promotions & Talent at Ministry of Sound had to say about URGE:
“Shining a light on the headsier side of tech house, house and techno with elite headliners thrown in for good measure. We wanted to refocus a tech house brand on underground talent: raw, garish, daring, with minimal yet impactful branding that provokes something in you so the senses will tune in.”
URGE is an unmissable addition to the offerings from Ministry of Sound which continues to innovate…. It’s time to feel the Urge.
For updates and early access to tickets sign up HERE!
DJ, producer, activist, and entrepreneur BLOND:ISH unleashes her new single, “Higher,” a collaboration with Black Circle, via Insomniac Records. The track, which has served as one of the most rapturous moments in her live sets and Abracadabra parties over the last year, is out now.
“Higher” marks the tipping point of album anticipation, with BLOND:ISH‘s sophomore album, Never Walk Alone, right around the corner. With its vocal that repeats, “You take me higher, baby,” the track echoes BLOND:ISH’s paramount intention to push the planet closer to Happy Happy World, an inclusive place of sustainable unity, respect, and nourishment.
In step with her career-spanning mission to eliminate plastic from the music industry, BLOND:ISH announced in December a special BioVinyl release for her forthcoming studio album Never Walk Alone. The release, which utilizes a recyclable material that is identical in quality to conventional pressing, is set for February 14th, 2025.
BLOND:ISH – Higher
This special release takes BLOND:ISH‘s “#PlasticFreeParty” movement, the vision from which she launched her foundation Bye Bye Plastic, to the next level. Leading by example in an industry that relies heavily on fossil fuels to create vinyl records, her next body of work will be pressed on Bio-attributed PVC.
The material is mainly made from biogenic waste (e.g., used cooking oil), is 99.98% petroleum-free, and cuts 90% of the carbon dioxide emissions in a mass-balanced approach. This initiative (learn more here) will be used for BLOND:ISH‘s first-ever vinyl release.
Filth on Acid kicks off 2025 in style with the release of the new single, ‘Just Wanna Dance’. The track features an all-star collab between label boss Reinier Zonneveld, global superstar Alok, K1LO, and MadGuss.
Widely regarded as one of the most influential Brazilian artists of all time, Alok is a bonafide dance music A-lister, holding the title of the second biggest Instagram following of any electronic artist globally, with over 26 million fans and 28 million monthly listeners.
Filth on Acid founder Reinier Zonneveld is a new schoolyard techno, rave and acid leader. His live sets and label have very much defined the revolution in recent years and he continually puts out electric cuts both solo and in collaboration with a range of like-minded peers. He does that again here with his trio of Brazilian talents – Alok, being joined by K1LO and MadGuss.
Alok, Reinier Zonneveld, K1LO, MadGuss – Just Wanna Dance
‘Just Wanna Dance’ is a dark, slamming peak-time techno track with driving kicks. The synths are raw and strobe-lit, while sweeping pads and saw tooth leads add gritty texture. Throw in trance-like breakdowns and flashing acid motifs and you have a monstrous track capable of destroying the club.
This is a powerful single uniting some of Brazil’s finest talents together with Dutch techno titan Zonneveld.
Balad Beast 2025 returns to Jeddah for a two-day extravaganza featuring a curated lineup of artists from across the globe. The highly anticipated festival, renowned for delivering unforgettable experiences, has officially unveiled its stellar lineup, promising an electrifying weekend of world-class performances across various genres. Taking over the UNESCO World Heritage site of Al-Balad, Balad Beast is truly a festival unlike any other.
The festival will feature performances by modern trap and hip-hop legends 21 Savage, Gunna, Metro Boomin‘, and Wiz Khalifa. Balad Beast also brings together some of the biggest names from diverse genres, including Michael Kiwanuka, Ghostly Kisses, and Zeyne. True to MDLBEAST‘s mission, the festival will champion local and regional talent, spotlighting acts such as Dish Dash, Biirdperson, and Vinyl Mode.
Balad Beast 2025 continues its tradition of showcasing leading names in electronic music. Festival-goers can look forward to sets from Alexander Skancke, Brawther, Maceo Plex, Mau P, and many more.
Scheduled to take place on the 30th and the 31st of January, Balad Beast 2025 will transform the heart of Jeddah into a vibrant celebration of music and culture. MDLBEAST has meticulously curated a lineup that blends international sensations with local talent, offering attendees a one-of-a-kind musical experience tailored to every taste.
Tickets for Balad Beast 2025 are now available for purchase, with various options catering to different preferences, including VIB packages for an enhanced festival experience. Don’t miss the opportunity to be part of Jeddah‘s most anticipated event of the year.
Chicago-based producer/DJ KTRL is back with his new single ‘Jinzo’ out now via HypnoVizion. The single serves as the first off KTRL’s upcoming Jinzo EP.
‘Jinzo‘ is a haunting introduction to KTRL‘s impending EP of the same title. Taking a minimalistic approach, KTRL has crafted a dark and wobbling bass track that creeps with anxious anticipation and spine-chilling energy. Amidst foreboding samples and distorted basslines, KTRL has built a masterfully engaging original that teases what’s to come on his Jinzo EP.
Here’s what KTRL had to say about the release:
“I wanted to write something different but also bass heavy. I was listening to some more minimal stuff prior to writing ‘Jinzo’ and I wanted to make sure it was powerful without a ton going on. Capturing the vibe early, ‘Jinzo’ builds a story and I’m excited for you all to hear it!”
KTRL – Jinzo
Hailing from Chicago, KTRL is quickly becoming one of bass music’s most intriguing rising talents. His dark, experimental sound has earned support from artists such as Rezz, FluxPavilion, and Deathpact and landed collaborations with WHIPPED CREAM, LSDREAM, and YOOKiE. Following appearances on labels such as Circus Records, Dim Mak, and Wakaan, KTRL made his debut on HypnoVizion last year with ‘Form‘ alongside Malixe.
Stream KTRL‘s new single ‘Jinzo‘ available now on all platforms.
HUGEL and Diplo closed out 2024 on a high note with their infectious afro house collab, “Forever,” featuring sultry vocals from Malou and Yuna. Now, the powerhouse pairing is furthering its unstoppable momentum as they offer up fresh remixes from three of dance music’s major players, MEDUZA, MORTEN, and Jauz. Taking the shape of the official ‘Forever (Remixes),’ the star-studded affair arrives as a joint release between tastemaker imprints, Insomniac Records and Higher Ground.
MEDUZA’s remix served as the lead offering to create hype around the full-fledged release, preceding the package by a couple of weeks. A masterclass in restraint, their seething reimagining builds anticipation and energy, before ramping up the energy midway through the journey.
At the midpoint, the Italian trio shifts gears, peppering in the ruminating hook in perfect measures atop swelling synthetic chords. Layers of organic beauty are implemented into the electronic construction before those two diametric sonics converge into a moody beat decorated with subtle arpeggios and syncopated sound design.
MEDUZA, MORTEN, Jauz Freedom Remixes
Touching on their process, MEDUZA shares:
“As soon as HUGEL and Diplo asked us to remix the original track, we knew exactly how we could recreate it in our own melodic sound. We manipulated Malou and Yuna’s euphoric vocal, whilst adding some classic MEDUZA chords and a deep bassline to create a remix that is full of energy for the dancefloor. We’re super excited to be releasing this one, which has been a staple in our sets across the last few months.”
Next up, Danish mainstay MORTEN adds his golden touch to the single. Striking the perfect balance between spellbinding and explosive, the seasoned producer manipulates the mood via a propulsive melodic house & techno framework. Complementing the breathtaking nature of the vocal, MORTEN maneuvers through expertly crafted leads and epic lulls, resulting in a track that lends itself perfectly for open-air festivals and late-night raves alike.
Last but not least, veteran producer Jauz takes the release in a whole new direction. Opting to go down a brooding drum & bass route, his version sets off with a sense of enticing mystery. Slowed-down vocals are accompanied by a haunting piano motif, before the energy explodes once the drum breaks enter the soundscape. Then, in a flash, the ringing two-note phrase elevates into futuristic synth riffs, while leaving space for fuzzy bass synths to drive the chord changes and rapid-fire percussion fills.
Sharing his decision to transport the track into a new sonic realm, Jauz explains:
“Getting to rework a hit record is always super fun but it’s even more special to do something official with a friend like Diplo, as well as an artist like HUGEL, who I’ve been a fan of for a long time. The original mix and vocal from Malou is so beautiful, I wasn’t sure where to take it at first, but ultimately my ear kept coming back to the drum & bass version you hear today.”
Originally circulating as an ID, which reaped millions of views on TikTok and Reels months prior to an official release date, “Forever” eventually materialized during a highly anticipated back-to-back set between Diplo and HUGEL at the former’s Higher Ground live showcase at the Brooklyn Mirage.
Since its release last September, “Forever” has amassed nearly 35 million streams, in addition to garnering an outpouring of editorial support across the board, including Spotify’s global mint and New Music Friday; landing the prestigious cover of Apple Music’s danceXL; topping the Beatport ‘Afro House’ charts at #1; earning coverage from Billboard, Mixmag, DJ Mag, and more; with heavy radio rotation allowing it to crack into the top 5 of Mediabase Chart.
Now, in the early days of 2025, HUGEL and Diplo are set to take their viral afro house hit to the next level, as they rope in the mighty talents of MEDUZA, MORTEN, and Jauz. With the “Forever (Remixes)” arriving by way of Insomniac Records and Higher Ground, the single is expected to continue to leave an indelible mark on dancefloors worldwide.
HUGEL and Diplo’s “Forever” ft. Malou & Yuna (Remixes) is available now on all platforms via Insomniac Records / Higher Ground.
IMS Ibiza 2025, the thought-leadership platform at the intersection of culture, education, industry, and wellness in electronic music, announces the first details of its curated programming for the sixteenth edition of the summit, inviting the electronic music community to nominate speakers and panellists they want to see tackle key topics and issues.
The summit aims to bridge generational gaps, delving into four decades of electronic music, looking for the insights, values, and experience that transcend eras, to inform the future of our industry and scene. IMS Ibizaoffers an ambitious and innovative program—a true exchange of ideas, wisdom, and creativity across generations.
The theme of IMS Ibiza 2025 is INTERGENERATIONAL EXCHANGE, deepening the connection between different generations of the electronic music community, from artists and industry leaders to entrepreneurs, pioneers, and visionary thinkers.
The summit will unite seasoned experts and veterans with young innovators of today, fostering collaboration between generations and merging wisdom and perspective with bold and disruptive ideas.
IMS Ibiza 2025
Journeying through four ground-breaking decades of Drum ‘n’ Bass, from its humble jungle roots in the UK to its global influence today, FOUR DECADES OF JUNGLE & DRUM ‘N’ BASS: THE MCS TO THE OGS TO THE NEW BREED will explore the genre’s profound cultural impact as both a movement and a community rooted in British multiculturalism. Shifting between the underground and the mainstream to uncover key insights into its enduring legacy as IMS looks to the future of this iconic genre.
Delving into Spain’s vibrant electronic music scene, MARKET FOCUS: SPAIN – FROM FIESTAS TO ITS FUTURE explores the country’s deep musical heritage, its profound impact on international trends, and its pivotal role in cultivating the next wave of talent, festivals, and creativity. With insights from key industry players, it highlights the opportunities and challenges shaping the future of one of the world’s most influential music markets.
As nightlife reaches a critical crossroads shaped by economic pressures, regulatory challenges, and shifting cultural dynamics, THE FUTURE OF GLOBAL NIGHTLIFE: HOW TO REBUILD A SUSTAINABLE ECO-SYSTEM confronts how these mounting threats make its future increasingly uncertain. This session will explore how the industry can adapt and thrive in the face of these threats to ensure that nightlife remains a transformative cultural experience that inspires and connects generations to come.
Hearing loss and tinnitus are on the rise in our culture, with many high-profile artists now using hearing aids – a topic still shrouded in taboo. THE SILENT EPIDEMIC: TINNITUS, HEARING LOSS & LISTENING RESPONSIBLY will highlight the importance of listening responsibly, using ear protection, and addressing the stigma that prevents many from speaking out. It will explore how untreated hearing issues can lead to Alzheimer’s and why it’s time to prioritize long-term health.
IMS Ibiza
AFRICA IS NOT A COUNTRY: THE GROWTH OF ELECTRONIC MUSIC ACROSS AFRICA is an in-depth exploration of Africa’s evolving scenes, diving into the continent’s increasing potential in electronic music, the nuances involved between countries, and an exploration of how to engage ethically and sustainably with the markets. It will also focus on Africa’s broader cultural influence through guided listening, deep discussions, and genre storytelling.
The landscape for record labels has shifted. More and more artists favour releasing on their own labels, or only agreeing to short term licenses, often shunning the major label route while embracing major label distribution options that have swallowed up most large indie distro routes. SHAPING THE FUTURE OF DANCE & ELECTRONIC LABELS IN 2025: FROM DIY TO DISORDER TO DISTRIBUTION will enlist leading label visionaries, distributors, and managers to sketch out the future of the label – the lifeblood of our scene.
The USA is undergoing a rapid evolution; shifts in the ever-growing electronic music market, changes within performing rights organizations, and a shifting political landscape. These developments are setting the stage for disruption in license collection and distribution across North America.
What does the next five to ten years look like for live performance revenue streams in one of the world’s most influential music markets? In GET PLAYED, GET PAID: USA THE FINAL FRONTIER HOSTED BY AFEM: ASSOCIATION FOR ELECTRONIC MUSIC we will examine how the industry can set the agenda, and create a fairer rights distribution ecosystem for all.
IMS Ibiza
MENTOR MATCHMAKING: EMPOWERING THE NEXT GENERATION will connect the next generation of industry leaders directly with the industry’s most respected figures, including managers, agents, promoters, bookers, and label execs. Young talents aged 27 and under can apply for a ten-minute one-on-one session with their chosen expert to seek advice, share ideas, or discuss their aspirations. One standout mentee will receive ongoing mentorship after the summit.
Across three days, IMS Ibiza will unite innovators, creators, visionaries, and disruptors from across the global electronic music ecosystem all in one destination, presenting opportunities for delegates to explore best practices and innovation in music, technology, diversity and inclusion, education, and health and wellness. Co-hosted by leading BBC Radio 1 broadcasters Pete Tong MBE and Jaguar, the summit will deconstruct the topics and issues that really matter to the global electronic music community.
The development of the summit programming is overseen by the IMS Ibiza curation committee, who play a vital role in shaping the agenda of the event, ensuring that it remains relevant, engaging, and representative of the dynamic music industry landscape.
The curation committee comprises (A-Z): Ben Turner (Co-Founder, IMS), Blaise DeAngelo (Co-Founder, The Art of Areté), Chloe Lula (Senior Producer, Resident Advisor), Danny Whittle (Co-Founder, IMS), Farah Nanji (Artist/Curation Manager, N1NJA/IMS), Grace Ladoja MBE (Co-Founder & CEO, Metallic Inc.), Jaguar (Co-Host/Broadcaster, IMS/BBC Radio One), Katie Sallows (General Manager, IMS), Kikelomo Oludemi (Artist), Pete Tong (Co-Founder/Broadcaster, IMS/BBC Radio One), Silvia Montello (CEO, Voicebox Consulting), Sofia Ilyas (Chief Community Officer, Beatport),Sophia Kearney (Co-Founder, HE.SHE.THEY.), Steven Braines (Co-Founder, HE.SHE.THEY.) and Tracie Storey aka Tensuhi (Vibrational Sound Practitioner, Qigong Teacher & Sound Designer).
For the second year, the summit will return to the Mondrian Ibiza and Hyde Ibiza hotels, located in the tranquil and idyllic Cala Llonga. Sharing facilities, bars, restaurants, and pool areas with direct access to the beach, both venues will be privatized exclusively for attending delegates to create an intimate, immersive setting for networking and presenting the summit agenda.
Just 10 minutes by car or 15 minutes by ferry from Ibiza Town, the new summit venue is an inspiring destination that will unite the global electronic music community. Overlooking the crystal-clear waters of the Mediterranean Sea, and framed by pine-clad hills, this picturesque bay on the east coast of the island enjoys breathtaking sunrises and is perfectly placed for walks in nature to balance out the dynamic summit schedule.
IMS Ibiza is proud to continue its collaboration with climate action partner EarthPercent to unleash the power of music in service of the planet. 1% of all IMS Ibiza 2024 delegate badge purchases will be donated to the charity. In addition, the levy will be applied to all event sponsors. Co-founded by Brian Eno, EarthPercent identifies and supports some of the most impactful organizations addressing the climate and biodiversity emergency.
Every grant they make is vetted by their world-leading Expert Advisory Panel – an international multidisciplinary, multi-generational, and diverse group of climate scientists, academic researchers, economists, climate communicators, youth activists, community organizers, and policymakers.
IMS Ibiza delegates will also be able to experience some of the hottest parties and events on the island, including the iconic IMS Dalt Vila closing celebration. Delegate Badges for IMS Ibiza are available to purchase now on the IMS website including concessions for Students, Under 27s, Ibiza Residents, and delegates using sustainable travel to arrive in Ibiza.
Hotel accommodation at Mondrian Ibiza and Hyde Ibiza is also available to purchase, with a limited number of subsidised hotel rooms at Hyde Ibiza available for delegates who are eligible for Student or Under 27 badges, priced at €95 per person, per night, based on double occupancy. Contact info@internationalmusicsummit.com for more information.
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